Analog printmaking has been a part of my design life since before it was a career. In high school I ran a small screen-printing business, and that hands-on relationship with ink and process quietly shaped everything that came after. In college I took that further with an independent study in woodcut printing and typography, digging into the history and craft of type at its most physical. This past year I did a risograph printing intensive, and the medium stuck immediately. It's become a consistent thread through my personal work and a lens I bring into the rest of my practice.